5. Kacey Musgraves
Rising to popularity in 2013 with her debut record, Musgraves has drawn critical acclaim as well as mainstream success with a sound that modernizes country music, while paying due diligence to her predecessors, particularly in the outlaw movement. While some early concerns arose that Kacey may play to a base of young girls, a la Taylor Swift, and work herself out of the country scene, her often drug-laced lyricism, and insistence on organic instrumentation and vocal work proved those worries to be unfounded. Instead, she has been hailed as a fresh new voice in the Nashville scene, and stands poised and ready for a huge run.
This year’s Golden Hour, her third studio album, not only reached number one on the Country charts, but number four overall. She clearly has the support of the general public behind her, and the critics have always been all in. While this record was plagued by poor production and somewhat repetitive choruses, it was dripping in potential. If Kasey can fill out her songs just a bit more, and be more daring than ever in her production, while hanging on to the young charm and biting lyricism she’s built her name on, her next album could very well be a defining moment in this era of Country.
4. Harry Styles
I know, I’m as shocked as you are! However, its time to come to terms with the facts: Harry Styles is a bonafide artist and performer, who’s debut was one of the best in 2017. The self titled LP was a breath of fresh air for music fans, and saw the pop star take on a more piano rock sound and toy with several well-executed psychedelic elements. His voice was flat out impressive, and the instrumentation was consistently entertaining. The lyrics left a bit to be desired, but the themes were solid and ambitious, leading one to expect an even better showing with the next release.
Harry Styles debuted at number one in the US and even broke a few sales records in The UK, while critics seemed relatively impressed by the project as well. If Styles can take serious time to fill out his lyrics, especially by including a few more verses and less repetition, while hanging on to the youthful spirit and impressive vocal work which he’s already shown, his sales and critical appeal could easily place him at the forefront of a rebirth in rock music.
IDLES dropped their debut LP in 2017. It was titled, Brutalism, a name which it lived up to, as the sonic embodiment of anger, fear, and the punk spirit. The guitar work was brutal, the drums were driving, and Joe Talbot’s vocals are punk, perfected. Many could argue that Brutalism is already a career defining project, and they would be right, but I genuinely think that they could do better.
There hasn’t been a band that is this purely punk in a very long time, and thus, IDLES will likely be given the unique license to speak on and sing about whatever they want angrily. With a new album already announced for august, I’d like to hear Talbot take deadly aim at the political discourse in the modern world. Fire wildly at organized religion, at Republicans, at inequality, and even at the apathy of the music industry. Musically, the group seems to be experimenting with brand new sounds and keeping themselves fresh. August 2018 could mark the return of punk to the mainstream.
2. Post Malone
Again, many would say that Malone has already achieved this feat, and while Beerbongs & Bentley’s is a true masterpiece of soft, vibe-centric hip-hop, I have one simple reason to say that Post has just one or two more tricks up his sleeves. This reason can be heard near the end of the album, in the form of the song, “Stay.” Here, Malone breaks from his format, which he has, admittedly, perfected, to present listeners with an entirely unique sound. The combination of the “coffee-house” folk and hip-hop styles could very easily be the last push necessary to land Post on a very short list of great artists.
A new album should hang on to the lighter tone of B&B, as well as the long runtime and excellent production. However, cut the bass-heavy vibe tracks with a heavy dose of heartfelt lyricism, acoustic guitar, and Malone’s unique vocal. He’s such a multifaceted writer and vocalists, pulling inspiration from so many sources, that even something as diverse as his recent project seems to waste his full range. Put that full range into one singular album, and we will have something truly special.
1. Chris Stapleton
A man who needs little introduction, Stapleton is a fantastically accomplished singer/songwriter, and a nationally beloved member of Country’s outlaw revolution. However, a quick look at Outlaw Country’s big three-Jason Isbell, Sturgill Simpson, and Stapleton- reveals a slight problem. Isbell has Southeastern, Simpson has A Sailors Guide to Earth, and what is Stapleton’s crowing achievement? Countless incredible song, and yet no “perfect,” album.
To get himself over the final hump, he first must hang on to a few things. Namely, his powerful and jaw-dropping voice, his wife’s excellent contributions, and his penchant for staying the truest to the Country form must stay. But what is he missing? For a perfect, decade defining record, Stapleton first needs to poor his heart into his already incredible lyricism, a la Southeastern. Toss in a bit more variety in his instrumentation, a few minor tweaks in production, and beef up his runtime a bit, and Stapleton will evolve from a force to be reckoned with to a real life, living legend in every sense of the term.
HEAR KACEY MUSGRAVES: https://open.spotify.com/artist/70kkdajctXSbqSMJbQO424
HEAR HARRY STYLES: https://open.spotify.com/artist/6KImCVD70vtIoJWnq6nGn3
HEAR IDLES: https://open.spotify.com/artist/75mafsNqNE1WSEVxIKuY5C
HEAR POST MALONE: https://open.spotify.com/artist/246dkjvS1zLTtiykXe5h60
HEAR CHRIS STAPLETON: https://open.spotify.com/artist/4YLtscXsxbVgi031ovDDdh