Bufihimat is a tech/death metal outfit from Voronezh, Russia. They arrived on the scene in 2015 with a single, “Last Journey Through Pain,” and then fell out of the public eye once again. While the track was fairly well received, whatever momentum they gained was all but lost over the three year hiatus which followed.
Their sound is brutal, generally falling under the umbrella of “extreme metal,” but their main style is death metal, sporting a low, guttural vocal and heavy instruments. They are also, however, incredibly talented, frequently performing extremely difficult passages at a blistering speed. With the release of their first full length LP, I (One), they’ve officially thrown they’re hat in the mix of the extreme metal world, and they’ve done so quite skillfully.
First and foremost, the drumming on this record is lightning fast. On tracks like “Thy Flesh Consumed,” or “Last Journey Through Pain,” the blistering speed sets quite a tempo with double kicks, which is then shown to be malleable with excellent fills in nearly every open space. The drums really take front and center on this project, and thanks to talented musicianship, they make good on this status.
The guitars are also well utilized here. Tracks like “Human Hive” or the opener, “Splited” mix the hellish brutality of the distorted rhythm guitar quite well with the almost video game-esque lead guitar licks. The lead is one of the very few less extreme portions of the mix, and it shines well over the slugging rhythm riffs.
The vocals, while a bit lacking in variety, are still quite impressive. A track like “Qualia,” just can’t come together without a vocalist like this. His screams are thick and gravelly, yet he has the ability to hold out notes far longer than one would expect. In “Decline of the Fading Suns, he lets out long, brutal screams which are accented by hectic instrumental passages, making this the best track on the album.
My biggest complaint with the project, however, is the lack of variety. While the closer, “He Saw Himself,” provides something of a change by incorporating an organ and well-performed guitar arpeggios, it comes on the tail end of nearly a half our of ear-piercing distortion and near constant double kicks. While I appreciate the brutality of this record, it seems they may have traded in some of the creative possibilities in an effort to create the loudest, heaviest album possible.
Even on a track like “Digging the Hole,” which begins with a thinner, higher scream and some heavy grunge influence, we find ourselves right back to the sludging tech death that characterizes the rest of the project. This may be the first time that a runtime under 30 minutes has felt like a slog, and it’s due entirely to poor pacing and strict adherence to form.
That being said, I did enjoy I. There are certainly shortcomings, but for a debut LP, it’s quite an accomplishment. The instrumentation is extremely technical, the production is far better than one would expect from a lesser known group, and the songwriting shows a lot of promise. It is definitely enough to land Bufihimat on my radar for future releases.
I is a brutal slog of an album with plenty for extreme metal fans to appreciate if they’re willing to overlook a few weaknesses.