Calling All Captains is a emo/pop-punk five-piece from St. Albert, Canada. They formed in early 2014 and released their debut EP, A Way With Words later that year, which followed many of the tropes of pop-punk of the era with a fair share of catchy songwriting. They went on to release a follow up in 2016 entitled, Disconnect. This project was noticeably heavier, especially in the instrumentation which featured much more active and intricate drum work, though there was a bit of screaming incorporated into the vocals. Their underground success lead to a signing with indie label, Equal Vision, best known for alums like Coheed and Cambria and We Came as Romans. With a studio budget and a couple releases under their belt, Calling All Captains has dropped their Equal Vision debut in the form of Nothing Grows Here.
The EP opens with the band’s recent hit single, “Chasing Ghosts.” It’s a strong single and an even better opener as it really sets the tone for the entire track list. There’s an excellent tone coming out of the rhythm guitar and the group is extremely tight, rhythmically. Best of all, Luc Gauthier’s lyrics have matured quite a bit between releases as he know writes fairly thoughtfully, avoiding some of the pop-punk tropes that acted as pitfalls on the last two EP’s.
They continue with the more low-key title track. Above all else, the song is highlighted by yet another powerful rhythm guitar performance.While the verses leave something to be desired melodically, the chorus makes up for the short coming in spades as one of the most catchy moments on the entire EP. The dropout is very well done, and the track closes out strong.
“Fools Gold,” follows and is perhaps the best of the five tracks. Gauthier’s vocals are emotional and dynamic with quite a bit of power filling out yet another extremely catchy verse. The track is, not unlike the rest of the EP, driven by Tim Wilson’s active and creative drum work, using cymbal crashes to accent explosive moments and lightning fast tom fills in between. Nick Malychuk’s bass also comes through much stronger here, anchoring the track very well.
Another of the lead singles is next, this time “Disconnected.” Here, the drums do tend to be a bit overwhelming, though they’re still expertly played. The bass is well placed once again, and this is yet another song with an excellent chorus and hook. The screams are at there best on this track, and the build out of bridge carries a lot of momentum into the outro.
The record closes with “Out of My Head,” which is simply fantastic. Maybe the only time when the verses hold up to the quality of the chorus, the track also features a the best bridge on the EP. The breakdown at the end is absolutely thunderous, drumming near the end is at a creative peak. It’s a strong close to a solid EP.
Overall, Nothing Grows Here accomplishes it’s goals with admirable precision. It’s an energetic label debut for Calling All Captains, and it shows off their instrumental prowess perhaps better than any previous work. I do have my complaints, however.
The production is extremely stiff, leaving no room to breath for many of the instruments. The bass is often lost in the mix, a shame as it’s played so well by Malychuk. The lead guitars, though solid when they appear, are rarely heard despite the fact that almost every track is crying out for a strong lead riff. Finally, the pacing could use some attention, as the middle of the EP does seem to drag thanks to similar tempos and styles on each track. Most of these are minor issues here, but may present themselves more glaringly on a full length LP.
Nonetheless, Nothing Grows Here is an bombastic EP from an exciting young band.