The Bouncing Souls are a punk rock band from New Brunswick, New Jersey. They debuted in 1994 with The Good, The Bad, and the Argyle, and went on to release four albums throughout the 90’s, each finding some level of underground success. Though their catalog lacks any real mainstream hits, it does show every sign of a hard working, old school punk act with 10 studio albums and 15 EPs since their formation in 1989. After beginning with Chunksaah Records, they left to work with Epitaph for the majority of their output in the 2000’s but they’ve recently returned to Chunksaah for their most recent projects including 2016’s Simplicity, which is one of their best selling albums to date. With their 30th anniversary approaching, they’re adding to their extensive catalog with Crucial Moments.
The EP opens with the high energy title track which kicks off the tracklist in style. It’s essentially a straight forward, pop-punk cut driven by Greg Attonito’s impressively clean vocal. The drum fills are fast and exciting and lead guitar is extremely well played. The pulled back bridge, though quite cliche’d, is enjoyable and the crisp production makes for quite the opener, overall.
“1989” is a much more true blue punk track, all the way down to the terse, 90 second runtime. Instrumentally, there’s no dip in quality to be heard and, in fact, there is the improvement of a very well played bass line on the bridge and an entertaining guitar solo. Unfortunately, Greg’s vocals lack the grit needed to pull off this sound, and the song is at it’s best when he returns to his melodic style near the end. Additionally, the structure of this track is just awkward and it leaves quite a bit to be desired, ultimately.
“Favorite Everything,” follows, driven especially by an ear-worm guitar lead. Lyrically, its a fun love song full of quirky platitudes which are performed quite convincingly. Beyond this, the drums are, once again, excellent, aided by a great rhythm in general. The track’s biggest weak points are the transitions between sections. Choruses just seem to start and end with no noticeable change beyond lyrics, and the track as a whole bleeds together a bit by the end.
“Here’s To Us,” on the other hand, is easily the strongest showing on the project. The instrumental is explosive and Attonito’s vocals are his best thus far. The melody on the chorus is fantastically well written, though the lyrics are a bit juvenile, admittedly. It ends with a soaring guitar solo directly into an exciting passage of doubled vocals. It’s exactly the sound you want to hear out of this band and it’s delivered better here than anywhere else.
The band returns to the traditional punk sound again with “4th Avenue Sunrise,” this time with much better results. Greg defaults to a more charismatic, blues-tinged vocal style which fits the song much better and more importantly, this cut doesn’t feel nearly as incomplete. Each idea is presented and fully fleshed out while the high tempo retains the quick impact they’re going for.
“Home,” closes the album and it’s a relatively enjoyable finish. It features yet another excellent chorus which is very well performed by Attonito. The crunching lead guitars are pure pop-punk and explosive drumming brings the choruses to a head in a very satisfying way. Overall, it’s one of the stronger cuts on the project, not the least of which because of the very strong songwriting.
Ultimately, this is a fun collection of songs, though it’s lacking in more than a few areas. There’s really not a single track that isn’t enjoyable in some way or another. The tracklist is very well paced and the production is slick but full of life.
Crucial Moments is an ultimately enjoyable, if flawed celebration of thirty years of good music.
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