Veronica Stanton is a country singer/songwriter from Jenkintown, PA and based in Nashville, TN. She got her start in local shows performing with a family band and learned sing and play music at home. She stepped out into more solo work in high school and began to pursue songwriting in earnest in college. After graduating, she came to Nashville and began playing the circuit of writers rounds before starting to work with producer Dan Knobler. Now, she’s released her debut EP, 827 Miles, named for the distance from her hometown to Nashville.
The project opens with the title track and immediately, much of what makes this EP special is present. Veronica’s sweet, bright vocal is easily the highlight of the cut, made all the better by some clever and well-written lyrics. Her rhyme schemes create instant earworms that demand a second listen and, thanks to nice, clean production, the her personality bubbles through every line. Songs that focus on missing home are also less prominent than they once were and it’s nice to hear the topic addressed so well once again.
“Flying,” follows and quickly, the strong instrumentation begins to shine through. Anthony DaCosta helms the electric guitar, which he did quite well on Joy Williams’ album which I covered earlier this week. His gentle touch and ear for melody are invaluable to this cut and many after. Beyond this, the verse-centric structure with a two bar chorus is unique and Stanton confidently channels shades of Dolly Parton in her soft but solid delivery. It’s yet another track which seems to demand a second listen.
“Wildflower,” falls perfectly in the middle of the five tracks and fills this position incredibly well. It’s far more lighthearted, lyrically, and the vocal melody on the chorus is nothing short of fantastic. Dan Knobler’s production is almost a sugar rush of bright guitars and a well placed organ that creates a beautifully shimmering piece of pop-country. As if this wasn’t enough, Veronica proves the legitimacy of her old school aesthetic with an awesome key change in the final third that perfectly closes out the funnest track on the project.
As “Rome,” rolls around, the organ takes the front seat, as do the drums for the first time. The changes quickly set the song apart from previous entries, but the great vocals, fun lyrics, and melodic lead guitar is no less present. In fact, the chorus may be the best of the EP and Stanton’s falsettos are an interesting touch which I wish had better utilized on each track. Overall, while “Rome,” doesn’t jump out the way earlier cuts do, it’s certainly one of the strongest of the bunch.
“Won’t Be Back Soon,” brings the project to a close and the roaring electric guitar on the intro quickly establishes the track’s irreverence. This is easily the lyrical highlight of the album as she turns the classic trope of promising a quick return to home on its head by pointing out that, for her to come back would mean failure in her dreams. The brilliant touch of storytelling is just icing on the cake of one more fantastic instrumental, complete with a rocking organ solo. “Won’t Be Back Soon,” is a perfect closer and brings the theme of the EP full circle.
Ultimately, I’m left without much to complain about. Each track is perfectly paced, well mixed, and well written. The theme is cohesive but not overbearing and Veronica’s voice is wonderfully at home in this modernized version of golden age, women’s country.
827 Miles is an incredibly listenable debut which has me excited to cover many more releases from Veronica Stanton.
AMAZON LINK: https://amzn.to/2UbiiiB