AURORA is an indie/electropop artist from Stavanger, Norway. She debuted with her 2015 EP, Running with the Wolves which slipped almost entirely under the radar but built something of an underground fan base. It was her full length follow up, All My Demons Greeting Me as a Friend, which put her on the radar of the indie pop world, topping the charts in her native Norway and even breaking onto the US charts for a moment after she performed on a few American late night programs. This success kicked off a massive tour which ended with the release of her second EP, Infections of a Different Kind, which landed her a spot in festivals like Lollapalooza and Coachella, as well as serving as the first part or “step,” as she called it, in a longterm series of releases. The second “step,” A Different Kind of Human released earlier this week and on it, Aurora is as entrancing as ever.
The album opens with one of AURORA’s fantastic songwriting on full display in the form of irresistible hooks. Tracks like “The River,” and “The Seed,” feature choruses which will catch the ear of even the most casual music listener and stick in their heads for quite awhile. She ties in clear inspirations from artists like David Bowie, for whom she’s expressed much admiration in the past, in putting together some truly fantastic hooks.
Beyond this, her lyricism is even more impressive. On cuts like “Daydreamer,” and “Hunger,” AURORA simultaneously uses a few interesting techniques. On the one hand, she consistently goes against the thematic grain of modern pop music, criticizing our tendencies to live only in the moment and speaking to the importance of living for the future as well. Additionally, she writes with haunting and almost alien imagery that makes for a fascinating experience when trying to dissect her storytelling.
Vocally, AURORA is also quite strong. While she doesn’t quite have the power of an average pop star, she makes up for this in spades with impressive control and an excellent range. Tracks like “Animal,” and “Soulless Creatures,” benefit tremendously from her excellent work as the front woman, her gentle tone providing an intimacy which acts as a strong counterpoint to the bewildering instrumentals.
All this being said, A Different Kind Of Human, as with most great pop music, leans heavily on its production and instrumentation. Most of the instrumentals feature heavy synths and quite a few unique tones but this is nothing compared to the extremely inventive percussion, most of which was performed by AURORA herself. Songs like “In Bottles,” and “Apple Tree,” while already listenable and interesting in their own right, are elevated to entirely new heights by the quirky and unpredictable percussion that drives their rhythms.
The album as a whole, however, just wouldn’t be what it is without some of the most genuinely impressive production of the year. From the intoxicating simplicity of “Dance On The Moon,” to the otherworldly experimentation of the title track, and even the gorgeous but criminally short closer, “Mothership,” the production team gets it right in every way possible on this one. Technically, their mixing and vocal tuning is spot on and creatively, nearly every second of the album is daring and unique, yet still listenable and accessible for all listeners.
Ultimately, A Different Kind Of Human is yet another breathtaking accomplishment for the Norwegian pop superstar. She’s somehow able to blend fearless experimentation with wonderfully accessible elements to create something truly special. The record is cold and distant, yet starkly beautiful in almost every way. If you’re a fan of great, well executed pop music, this is a must listen.
A Different Kind Of Human is breathtaking take on pop music with a colder, more alienating tone which contrasts well with the undeniably catchy songwriting and mainstream sensibilities.
AMAZON LINK: https://amzn.to/2UbiiiBAMAZON LINK: