5. Vic Mensa – Manuscript
Mensa decides against reinventing the wheel here, and instead presents a tight, four track effort which simply bleeds Chicago style. Sporting a dense rhyme structure, Manuscript is heavily reminiscent of Rap’s golden age, as well as looking forward with more complex themes. Most notably, Mensa chooses to forgo the trap style for the majority of the EP, a decision which I believe will be revealed to be quite wise in a few short years and the trap phase finally dies off.
Ultimately, fans likely aren’t looking to this EP as an indicator of the future as Mensa already boasts an impressive discography. Manuscript is simply a quick, hard hitting, Rap project which fulfills it’s purpose of being fun hype music quite effectively.
4. Wristmeetrazor – I Talk To God…
I’ll be the first to admit that I am woefully undereducated when it comes to the modern state of hard rock and heavy metal music. I couldn’t tell thrash from death from black metal no matter how hard I try. That being said, I know a fantastic and emotional record when I hear it, and Wristmeetrazor’s debut EP is just that.
Sporting only four songs, the record is a forceful, melodic, and a fun listen! Heavily reminiscent the hardcore rock of the mid to late 90’s, this EP. and likely it’s forthcoming sequel, is a perfect experience for fans of groups like Pantera, who have had trouble taking to modern metal music.
3. Allison Young – Old Friend
This EP is just fun. Young is quite clearly influenced by classic female country artists like Dolly Parton and Loretta Lynn, most notable on her cover of The Andrew Sisters’ 1941 single, “I’ll Be With You In Apple Blossom Time.” The project is highlighted by whimsicalinstrumentation, impressive lyricism, and one extremely enjoyable vocal performance after another from Young.
The aesthetic of this record is consistently pleasing and enjoyably nostalgic. With the promise of other, larger projects on the horizon, one can only hope for an equally light-hearted tone and respect for the roots of country music.
2. Kamasi Washington – The Harmony Of Difference
The modern king of Jazz music, saxophonist one extraordinaire, Kamasi Washington came through in the final moments of this year with an incredibly tight and motif heavy project that simply built upon an already impressive early career. Obviously, the much longer closing track was a highlight, but the rest of the record offered quite an interesting listen.
As far as a future full length project, Harmony provides little in the way of foreshadowing. In many ways, the record is just a shorter and more accessible form of the ideas which Washing put forward on his debut LP, The Epic.
1. Denzel Curry – 13
After 2016’s Imperial, Denzel was on the top of the upcoming freshman class and enjoying a massive amount of hype, which he didn’t disappoint when he started 2017 with the 13 EP. Dark instrumentals, sparse hooks, and Denzel’s signature, hyper-aggressive flow drive a fantastic five-track piece. Lyrically, Curry is in top form, allowing his dense rhyme schemes to drive and his violent lyrical content to steer for an excellent project overall.
If this EP is any indicator, fans can expect a long and powerful run from the young Florida rapper. Standing out worlds above his contemporary’s, Denzel stands to be the most successful artist to come from the 2016 Freshman class, and to, hopefully, join the ranks of Kendrick, Chance, Cole, and a select few others who are at the very top of the genre.
I TALK TO GOD:
THE HARMONY OF DIFFERENCE: