G Herbo is a rapper and producer from Chicago, Illinois. He debuted in 2014 with the Welcome to Fazoland and Pistol P Project mixtapes. He quickly became a key part of the later years of the Chicago drill movement, long after the successes of genre staples like Chief Keef and Lil Durk. Nevertheless, he found substantial success and eventually found his way onto charts and released his first LP, Humble Beast in 2017. Shortly after, he signed with 808 Mafia and released his sophomore record, Swervo, which received mild acclaim from critics, including this website.
His success hinges on a few things but none more than his flow. His style is hard-hitting and violent, perfectly in line with the sound that put drill rap on the map. He also writes with quite a bit of raw passion, refusing to turn away from the harsh realities of life in downtown Chicago. His rough voice plays well against the classically hectic instrumentals of trap music and makes for a tight package that is extremely enjoyable for fans of his style of music. He doesn’t aim to reinvent the wheel, but he does what he does very well. He aims to continue that style with Still Swervin’ which is his most mixed effort to date.
Much of what we’ve come to appreciate from Herbo is here on the record. His flow is hard hitting on tracks like the opener, “Sacrifice,” and “Do Yo Sh!t.” Several tracks, including these two, have no chorus or hook and instead consist of one long verse from Herbo that feels almost like a freestyle. While the flows can often feel repetitive, they hit hard enough to keep a listener entertained.
His lyrics are fairly impressive on more than a few occasions as well. Tracks like “Yerk 30,” and “Wilt Chamberlin” are some of the best on the project because of Herbo’s braggadocios lyricism and creative imagery. He’s at his best when he’s writing about his money and street cred, though his rare attempt at telling a more vulnerable story on the closer, “Hood Cycle,” feels surprisingly genuine.
The few features that do appear on the record run the gamut from the fantastic work of Pretty Savage on the album’s best track, “Bug,” and the very funny “Shakey Skit,” to the sleepy performances from Gunna on “Trained to Kill,” or Juice WRLD on “Never Scared,” both of which suck the life out of otherwise enjoyable tracks. Aside from Pretty Savage, however, none of the features feel necessary or even helpful, especially since Herbo has such a dynamic voice as he shows on tracks like “Ok.”
This is still more than I can say for the production, however. Nearly every instrumental on the album is either boring or unlistenable. The manic energy of old school drill rap is gone in favor of nothing beats like “Up It,” and “Visionary.” Virtually the entire album is drenched in uninventive trap cymbals and the occasional accent which is generally abrasively mixed and completely out of place.
The worst quality of the record, however, and one that plagues the entirety of the nearly 50 minute runtime, is G Herbo’s inability to stay on beat. It’s especially bad in the first half, with tracks like “Scratchy & Itchy,” and “Bought a Tool,” sounding as if the vocals were recorded totally separately and just layered over the existing beat. Not to be outdone, however, the latter half contains “Boww,” which is easily one of the worst rap songs I’ve heard in many years and the worst on the album by a mile.
The album is an odd outing for Herbo and disappointing to say the least. With a solid debut and an even better sophomore effort under his belt, this record would’ve been the perfect opportunity for his sound to pierce the mainstream bubble. Unfortunately, even its best moments are pulled down by structural problems like weak instrumentals and off-beat rapping that are so severe that the LP never does quite find its footing.
While Still Swervin’ features more than its fair share of strong moments, it’s G Herbo’s weakest effort to date and the first to sound like he just didn’t try.