Todd Snider’s New LP is a Masterclass In Folk Music

With excellent songwriting, simple production, and heartfelt performances, Cash Cabin Sessions, Vol. 3 is one of the best folk albums of this decade, and a treat for fans of Snider or the larger Americana movement as a whole.

Todd Snider is an Americana singer/songwriter from Portland, Oregon.He debuted in 1994 with Songs for the Daily Planet. In total, he’s released 16 albums, not including compilations and special editions, each finding varying levels of success, particularly among Americana fans. Perhaps his best accomplishments are his two live albums, Near Truths and Hotel Rooms and The Storyteller. He’s at his best on these projects as his intimate sound isn’t interrupted by poor production and over-instrumentation. This was a problem, especially in his early years, as the apparatus just didn’t exist to find a producer who could do the Americana and folk sounds justice. Today, however, we’re experiencing a boom in the sub-genre and a multitude of producers committed to the sound. For this, his 16th album, Todd has partnered with the great John Carter Cash for his best studio effort to date, Cash Cabin Sessions, Vol. 3.

Perhaps the most surprising change of pace on this LP is the renewed focus on Todd’s acoustic guitar prowess. Tracks like the album’s highlight, “Like a Force of Nature,” and “Just Like Overnight,” the sparse production and arrangement leave nothing but space for Snider to fill with complicated and melodic folk riffs, which were played on the Martin guitar of the late Johnny Cash. He’s very rarely content with simple chords, and instead picks each note with intention and a strong ear that makes every cut infinitely better.

Much less surprising, however, is Snider’s razor sharp wit and penchant for quick, yet hilarious one-liners. On a song like “Talking Reality Television Blues,” he crafts a long winded critique of modern culture, beginning with the invention of radio and culminating in the election of a reality television star to The White House. “The Blues on Banjo,” on the other hand, feels like a random riff on the insanity of the world, not to mention acting as a comedic turn on the kind of simple, one-take recordings that brought early blues stars like Robert Johnson to fame. “A Timeless Response to Current Events,” closes the album as a hilarious, wordy talk blues number that mocks the formalities of government proceedings. None of these tracks are necessarily sharp-tongued, but they’ll make virtually all listeners laugh, and that’s the goal.

Aside from jokes, there are also a few genuinely impressive lyrical moments on this record. The opener, “Working on a Song,” perfectly captures the life a song inside the mind of a writer, including both the comical frustrations of feeling it so near to being finished and the heartfelt connection a writer feels to his craft. “The Ghost of Johnny Cash,” appears later on the record and it is at once haunting yet beautiful. Todd celebrates the icons of the genre with the tail of Loretta Lynn meeting the ghostly form of the late Johnny Cash for a dance in the rain.

Todd has a trend on this record of writing specific stories about figures in music history. “Cowboy Jack Clement’s Waltz,” tells the story of its namesake, a very important producer and friend of the late Johnny Cash, mainly cobbled together from stories told to him by John Carter Cash. “Watering Flowers in the Rain,” as its preceding explanation says, tells the story of a longtime roady for Elvis Presley and the frustration he felt at never taking the spotlight himself. These are some of the most interesting tracks on the album and they’re aided heavily by the spoken sections that lead into them.

Another strong addition to Snider’s arsenal is a fantastically well-played harmonica. It’s perhaps most notable on a track like “Framed,” but it’s an ever-present element of virtually the entire album. His ear for melody is, of course, the driving force behind the harmonica’s effectiveness, but the sharp and almost abrasive tone which is allowed to remain in the final mix without overly softening the edges.

Todd Snider said that recording this album was a result of a recurring dream in which Johnny Cash himself would wake him up from his resting place on the floor in the center of the Cash Cabin Studio, which is incidentally the site where Cash passed away. When Todd opened his eyes, Cash would point to the engineers booth and say “you’re missing it.” And so, Snider set out to make an album at the studio which would make The Man in Black Proud and I think he succeeded.

With excellent songwriting, simple production, and heartfelt performances, Cash Cabin Sessions, Vol. 3 is one of the best folk albums of this decade, and a treat for fans of Snider or the larger Americana movement as a whole.

9/10

AMAZON LINK: https://amzn.to/2UbiiiB

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My Top Five Singles of February!!

From Todd Snider to Juice WRLD and everything in between, here’s a few of my favorite tracks from this month!

Field NegroRoyce Da 5’9”

After an excellent LP last year, Royce is showing quite a bit of life considering his career is nearly 20 years old. “Field Negro,” dropped early in the month and it’s one of the most politically charged tracks in his catalog. Royce jumps from specific topics like Colin Kaepernick, Kanye West, and the Super Bowl Halftime Show, to the broader ideas of race relations and the importance of standing up for one’s own race, regardless of the consequences. It’s a bold statement and a must hear for fans of lyrical hip-hop.

Like a Force of NatureTodd Snider feat. Jason Isbell

A true folk troubadour like we haven’t seen in many years, Todd Snider is one of the best live performers in all of the music industry, but has had a few struggles when it comes to capturing that magic in studio. With a new LP slated for a March release, however, he’s released two fantastic singles in preparation. The better of the two has made its way onto this list, not the least of which because of the inclusion of close friend and fellow master songwriter, Jason Isbell. While Isbell’s input seems to have been more on the writing side, the pair delivers a heartfelt and well performed cut that has me excited for the upcoming record.

PortlandEmily Hebert

Nashville based singer/songwriter, Emily Hebert released her debut single near the end of last year and has an EP in development for 2019, with her second single, “Portland,” dropping at the beginning of the month. The track has some strong pop-folk sensibilities, but the highlights of the cut and its predecessor come especially from Hebert’s fantastic ear for melody. With well written verses, an earworm chorus, and extremely intimate production, “Portland,” is sure to find it’s way into your heavy rotation and leave listeners anxiously waiting for more. 

JuiceLizzo

Lizzo is an up and coming soul/hip-hop artist with some impressive underground credentials. She has two very impressive LP’s under her belt and with a rising amount of mainstream recognition, she’s hoping that her third album, slated for April of 2019, may just be her breakout. From the sound of her latest release, she may just get her wish. “Juice,” blends elements of dream pop and funk in an excellent instrumental which accompanies a show stopping vocal performance from the powerhouse herself. The track is soaked in attitude and shows Lizzo to be one of the most exciting artists in soul music.

RobberyJuice WRLD

Following an extremely successful 2018 full of high profile features and a relatively successful album, Juice WRLD is kicking off 2019 strong with a pair of strong singles. The best of the two, “Robbery,” is highlighted by quirky piano instrumentation and an excellent vocal performance from the man himself. The track takes a few cues from the emotional, Soundcloud rap popularized by contemporaries like the late XXXTentacion, but Juice injects the sound with a lighthearted energy and a listenable melody. If this is what we can expect on upcoming projects, we’re in for a treat.

HEAR THE TRACKS: https://open.spotify.com/playlist/45yfYobxluDOlZfjVYSgtD

AMAZON LINK: https://amzn.to/2UcjS3Y